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Glorious Exploits

ebook
0 of 1 copy available
Wait time: About 10 weeks
0 of 1 copy available
Wait time: About 10 weeks

THE SUNDAY TIMES BESTSELLER
WINNER OF THE WATERSTONES DEBUT FICTION PRIZE 2024
WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2024
SHORTLISTED FOR THE NERO AWARD FOR DEBUT FICTION 2024
LONGLISTED FOR THE AUTHORS' CLUB BEST FIRST NOVEL AWARD 2025
A BBC RADIO 4 BOOK AT BEDTIME
A BBC2 BETWEEN THE COVERS PICK

PICKED AS A BOOK OF THE YEAR BY THE GUARDIAN, THE INDEPENDENT, THE IRISH TIMES, THE FINANCIAL TIMES AND THE TLS
'One of the most original and brilliant debuts in years' Irish Times
'Bold and totally unexpected ... I was hooked from the first page' Douglas Stuart, author of Shuggie Bain
'Brilliant ... Hilarious, moving, and profound' R. F. Kuang, author of Yellowface

***
Ancient Sicily. Enter GELON: visionary, dreamer, theatre lover. Enter LAMPO: feckless, jobless, in need of a distraction.
Imprisoned in the quarries of Syracuse, thousands of defeated Athenians hang on by the thinnest of threads.
They're fading in the baking heat, but not everything is lost: they can still recite lines from Greek tragedy when tempted by Lampo and Gelon with goatskins of wine and scraps of food.
And so an idea is born. Because, after all, you can hate the invaders but still love their poetry.
It's audacious. It might even be dangerous. But like all the best things in life – love, friendship, art itself – it will reveal the very worst, and the very best, of what humans are capable of.
What could possibly go wrong?
***
'Fierce, funny, fast-paced ... Brings the ancient world roaring to life' Joanna Quinn, author of The Whalebone Theatre
'Love, war, poetry, reckless ambition, terrible failure, and glorious triumph ... A delicious treat of a read. I loved it' Jon McGregor, author of Lean Fall Stand

Sunday Times bestseller, August 2024

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    • Publisher's Weekly

      Starred review from December 11, 2023
      Lennon brings ancient Sicily to life with humor and pathos in his stunning debut. Thousands of Athenian soldiers are being held prisoner in Syracuse after a failed assault during the Peloponnesian War. Two unemployed potters, Lampo and Gelon, decide to recruit some of the prisoners, who have been left to die in quarries near the city, to perform a selection of Euripides’ plays in exchange for food. Gelon, fearing the defeat of Athens could mean the end of its rich history of tragic drama, wants to stage Medea and The Trojan Women, the latter of which depicts the grim aftermath of Troy’s defeat in the Trojan War. Lampo becomes increasingly invested in the project and discomfited by the brutal treatment of Sicily’s vanquished rivals. By giving his leads a sense of purpose during dark and bloody times, Lennon makes the success of their offbeat venture feel important to the reader, and he thoroughly explores the novel’s melancholy central theme—the world is “a wounded thing that can only be healed by story”—all the way up to the gut-punch denouement. It’s not all dreary, though. Lampo’s crackling modern vernacular adds just the right amount of levity, as when he comments on the hot weather: “Even the lizards are hiding, poking their heads out from under rocks and trees as if to say, Apollo, are you fucking joking?” Lennon’s vital tale captivates.

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